How I Saved a Real Princess—A Nintendo Story

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When I was a kid, I made some mad money by selling personalized stationery door-to-door in my various neighborhoods. At age 8, I used some of the sales proceeds to buy a Nintendo Entertainment System. I played Super Mario Bros. until I could save the princess every time, almost with my eyes closed.

I bought a few other games, too—Teenage Mutant Ninja Turtles, a couple of others. But Mario was where it was at.

At first, my mom barely tolerated having the Nintendo in the house. She said it was rotting my brain. But I wanted her to understand why I liked it so much, so I coaxed her and coaxed her to try playing Mario until she gave in and tried it.

To my delight, my mom actually enjoyed playing Mario. I was amused and pleased that she had finally come around to seeing things my way. We even played it together sometimes. It was fun at first.

A few weeks into her newfound interest, I noticed my mom would sometimes play Mario for hours. Sometimes I would try to get her attention, and she would get angry at the interruption. Other times, she could barely even hear me. There was Mario on the screen, doing his little back-and-forth dance, jumping on a Goomba, hitting a flag pole—and there was my mom staring at it.

My mom was disappearing. The princess needed saving. By observing her, I realized how pathetic I must have looked to her before she herself got sucked into the game. How vacant. It became clear what I had to do.

So at age 10 or so, I took it upon myself to sell that whole piece of shit—Nintendo, games and all—to a video game shop, and I never looked back. I got my mom back, I got myself back, and I had an actual childhood.

Today, I’m grateful for actual memories. Memories that smell like a rotten knothole holding up part of my fort in the woods, that grease my skin like baseball sweat at dusk, that take my breath away like the time I landed on my back while doing a double flip off a swing set.

I’m writing this in front of a computer screen. Hmm.

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Four Images from Famous Fake Quotes

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Famous Fake Quotes is an ongoing personal project of mine. You should like it on Facebook!

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Famous Fake Quotes is a series of quotes I make up and attribute to historical figures, public figures, and celebrities, and then design images for. It can get racy sometimes, so if you’re sensitive to curse words, run away!

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It gets racier than that, but I don’t want to overwhelm my more prudish readers. Often, however, it’s just plain silly.

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There are plenty more where those came from. I hope you’ll like Famous Fake Quotes on Facebook, scroll through all the images, drop some comments, have fun, and share the images freely all throughout the land.

Cheers,

Will

This is TheWrongDictionary.com

Pen. Noun. A secure facility for ensuring the safety and well-being of writers and publishers of embarrassing dossiers.

This one’s for Julian Assange.

I write fake definitions and post them on TheWrongDictionary.com. If you’re into satire, humor, mischief, and the occasional blast of profanity, please visit. If you’re a Tumblr user, you can follow the site so you don’t miss any of my definitions.

The Wrong Dictionary is inspired by The Devil’s Dictionary by Ambrose Bierce, Dictionary of Received Ideas by Gustave Flaubert, and the Internets.

Wail.

Those of you for whom English is a second language, I have a tip for you. Actually, this is for everyone, since most people haven’t heard it:

Wail.

Let me explain. You know how English has all those rules and regulations about grammar and punctuation? Well, they were all made to be broken, bent, scraped, remixed, reengineered, and built back up any way you see fit. It’s just like music.

In music, you toot on a horn, and it sounds like crap. And then you start learning the proper fingerings. You practice scales over and over – and over again. You study theory. You master every rule, every regulation. You embrace every school of thought, from the streets to the top of the ivory tower.

And then you throw it all away and make your own damn rules.

“You’ve got to learn your instrument. Then, you practice, practice, practice. And then, when you finally get up there on the bandstand, forget all that and just wail.” – Charlie Parker, as quoted in Acting Is a Job: Real-life Lessons About the Acting Business (2006) by Jason Pugatch, p. 73

Wail. Don’t be afraid to try new tricks as you go about mastering the English language. English is not about being “correct,” no matter how many elitist know-it-alls will tell you otherwise. And they will tell you as much, I promise you that. Ignore them.

Learn your grammar. Learn your punctuation. Build your vocabulary. Read. Work your ass off at it. But when you start to see some of the blatant inconsistencies and conflicting rules that run rampant in English, embrace it all for the absurdity that it is, and take it as your cue to start experimenting with new styles.

Most important, speak English, don’t just write it. Language is, first and foremost, sound, not dead symbols on a page or a screen. The main problem many people have with English is that they learn it in its written form first, and only later begin to translate the symbols into sounds. That’s backwards.

Play with the sound of the language. Discover how it feels on your tongue, your cheeks, your teeth. Experience the sound of it. Let it become a part of your anatomy. Feel its rhythms, its rhymes, its inherent poetry. Inside those feelings there is movement. There is life itself. Keep the English language close to your heartbeat, and you will begin to feel more at-home in the language. Eventually you will discover your own voice.

Wail.

Let the elitists squawk.